Tag Archives: University Press

New Books for May 2016

We are pleased to announce these five books debuting in May.

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Primed for Violence
Murder, Antisemitism, and Democratic Politics in Interwar Poland

Paul Brykczynski

The assassination that changed a nation

“The interwar period was an often violent time in which the demons of the twentieth century increasingly had their way. Brykczynski places the assassination of President Gabriel Narutowicz in the context of growing antisemitism and the emerging challenge to democracy in the recently independent Polish nation. An important story, thoroughly researched and compellingly told.”
—John Merriman, Yale University

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The Athenian Adonia in Context
The Adonis Festival as Cultural Practice

Laurialan Reitzammer

Wisconsin Studies in Classics

Rediscovers the influence of women’s rituals on Lysistrata, Plato, and diverse Athenian works

“Persuasively reinterprets the Adonia as a ritual that brought Athenian women’s dissenting voices into the public arena to critique male social institutions and values. This innovative work draws on an immense range of ancient sources—literary, documentary, artistic, and material.”
—Laura McClure, series editor

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Contemporary Directions in Asian American Dance

Edited by Yutian Wong

Studies in Dance History

An essential guide and model for current studies of Asian American dance

“A methodologically diverse and eclectic approach to Asian American dance studies, where dance is both method and content. These essays illuminate the ways that dance shapes, troubles, and pushes against the contours of what counts as Asian American cultural production.”
—Priya Srinivasan, author of Sweating Saris

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The Invisible Jewish Budapest
Metropolitan Culture at the Fin de Siècle

Mary Gluck

A groundbreaking, brilliant urban history of a Central European metropolis in the decades before World War I

“A magnificently consequential book. Gluck examines the vibrant modernist culture created largely by secular Jews in Budapest, in counterpoint to a backward-looking, nationalistic Hungarian establishment and a conservative Jewish religious elite.”—Scott Spector, author of Violent Sensations

Strang-Worse-than-the-Devil-rev-ed-cAvailable now
Worse than the Devil
Anarchists, Clarence Darrow, and Justice in a Time of Terror
Revised Edition

Dean A. Strang

An unjust trial, as patriotism, nativism, and fear swept the nation

“A riveting account of a miscarriage of justice relevant to our times, when fear of radicals of a different stripe may infect our system of justice.”Booklist

A Polish American recalls war, exile, and Stalin’s gulag

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Donna Solecka Urbikas is the author of My Sister’s Mother: A Memoir of War, Exile, and Stalin’s Siberia, published by the University of Wisconsin Press. We talked with her about some of the personal details of her family, childhood, writing process, and experiences as a mother that relate to her memoir.

What inspired you to write this story?

I grew up with these stories because my mother, Janina, never stopped talking about what had happened to her and my sister, Mira, during World War II. They were taken by Soviet secret police from their farm in Poland and sent to Siberia to be forced laborers. Their eventual escape to freedom was a terrible ordeal as well. I had some friends in Chicago with similar backgrounds, but their parents did not dwell on their war experiences. My mother’s intense recollections frightened me as a young child, then annoyed me as a teenager. As a young adult, I became more engaged with my mother’s stories and realized that these war experiences were something people in America knew very little about. It wasn’t until I became a mother myself that my mother finally agreed to let me write about all that had happened to her. I think then she trusted that I would understand her journey.

When did you decide these stories should become a book?

Back in 1985, I started writing only about the war experience—Urbikas-MySister'sMother-cmy mother’s and sister’s deportation from eastern Poland in 1940 to a labor camp in Siberia, and my father Wawrzyniec’s capture and imprisonment in a Soviet prisoner-of-war camp. He was a Polish Army officer who had barely escaped being among the 22,000 Poles murdered by the Soviets in the Katyń Forest massacres in 1940. I felt it was important to tell the Polish war story, because in the 1980s Poland was struggling to regain its independence from Soviet control. I had family members in Poland dealing with all that, so I was well acquainted with the struggle, and it seemed like a painful reminder of what my parents had gone through. But I couldn’t finish writing the story until about ten years later.

How much older is your sister?

Mira was five years old when she was deported with my mother in 1940. I was born several years after the war, so there is a fifteen-year difference between us.

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Janina and Mira in India

What does the title of your book mean?

My sister knew our mother before all the horrible things happened to them during the war, whereas I knew only a woman who was haunted after the war. My mother saved Mira many times from starvation and disease. It was really a miracle that my sister survived at all, as most children under the age of five died in those harsh circumstances. My mother used to say that she took her (my sister) in her teeth and saved her. Mira grew up in what was eastern Poland, then in the forced labor camps in Siberia and Russia, and then in resettlement camps in Iran and India. I grew up in the comfort of 1950s America, far from any direct experience with war. Thus, the title, My Sister’s Mother.

How did your family happen to come to America?

My parents had met amidst all the turmoil in Russia after Germany attacked Russia in 1941, and Russia became an ally with Britain and France. With the Polish government in exile in England, there was pressure on Russia to release labor camp deportees and army prisoners. Of course, the Soviets didn’t want to release those workers because they were needed for their hard labor on a very small salary, so my mother and sister escaped. They tried to find the Polish Army, which was re-forming from all the prisoners like my father. They initially met the man who would become my father in the first army camp in Tatishchevo near Saratov. Later they met again in Uzbekistan, where my mother and sister were trying to find their way out of the Soviet Union. My father helped them during a very critical time when they were completely destitute, since the Polish soldiers donated portions of their rations and money to the civilians who were following them. After that, my father went on to fight the Germans with General Władysław Anders in the Middle East and Italy, while my mother and sister ended up in Tehran at a temporary resettlement camp. The British had been helping the Polish Army and Polish refugees. Later, Janina and Mira went to India, where my mother worked as a Red Cross nurse, and my sister attended a convent school. After the war, neither my mother nor my father wanted to return to Communist Poland, so as it turned out they each went to England, and there they met again and married.  I was born in England, in Coventry. The conditions in England were abysmal, though, because the British were struggling to recover from the war. So, my parents, sister, and I immigrated to America in 1952.

That history is not well known in the United States. How did you feel about it when you were growing up?

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The Polish Army forming in Tatishchevo in 1941, after release from prisoner-of-war camps in Russia and Siberia

As a child, I assumed that everyone had gone through these things, so it surprised me when I encountered American friends who were totally unaware of Poland’s history. It was not history taught during our American education. I only learned about it at home and at Saturday Polish school and Polish scout meetings. Polish history is very complicated, and even today many people do not know that Soviet Russia had attacked Poland only two weeks after Germany attacked on September 1, 1939, starting World War II. When I first began writing the book, people thought I was writing about the Holocaust and Germany’s attack. They were totally unaware that Russia had invaded Poland as well, or that hundreds of thousands civilians like my mother had been deported from what was then eastern Poland to Siberia, for essentially slave labor. My mother had to work in timber operations in the middle of harsh Siberian winters while my sister had to be left alone in the labor camp to fend for herself getting food. Mira’s father had been imprisoned and was not with them.

This story is a romance, too, amidst the terrors of war.

Yes, it is a romance—that two people thrown together in the midst of horrible circumstances would somehow find each other after the war and have another child. They hoped to regain at least some of what had been lost to them in Poland.

Poland did not exist as an independent country during its partitions by Germany, Austria, and Russia for 123 years before World War I. After World War I, Poland regained its freedom. My parents’ generation who grew up between the World Wars was uniquely, stubbornly patriotic and always longed for the Poland that was no more. After World War II, Poland had become the spoils of victory for Soviet Russia in the rush to end the war. It became a completely different country, one in which my parents would not be welcome. My mother’s farm was no longer part of Poland, but was now in Belarus. She had lost all her documents during the turmoil of her escape from the Soviet Union during the war. My father, as a former Polish Army officer, would have likely been deported back to Siberia, where some of his officer friends ended up.

It would be only in 1989 with the fall of Communism in Poland that things changed again, and Poland emerged as an independent country. Though my book is a memoir, readers will learn much Polish and World War II history.

In writing the book as a memoir, you had to face some of your own challenges as well. What were they?

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Mira and Janina in Tehran

I really didn’t want to write about myself at all, but the teachers at the University of Chicago classes convinced me that I could not write my mother’s memoir, that it would make a much more interesting story if I included myself. By then my parents had passed away and my children were almost grown, so I began to reflect on how these war events and my mother’s constant reminders of them had affected me. I began to see parallel stories from my own life. My teenage son’s battle with cancer reminded me of how my mother had tried to save Mira so many times throughout the war, and later when Mira suffered from mental illness. The conflicts I had with my mother as I was growing up began to make sense, as I began to understand her from the perspective of being a mother myself. I began to appreciate my parents’ longing for a simple farm life away from the intrusions of city life and their wish to find a connection with life in Poland before the war. I began to understand my internal conflicts with religion, and what it meant to be an immigrant in America, the tug of culture and identity that was being lost in my own life as well as in the lives of my children. I began to forgive my mother for all her craziness, to appreciate what she had gone through. In the end, it was a catharsis for me, as it was for her, to know her story would be told.

What would you like readers to take away from your story?

Certainly, I would like them to know and appreciate the struggles that Poland has had to endure over the course of time and how people like my parents emerged from the turmoil of World War II. It is a struggle that continues, a lesson still to be learned: the effects of war do not end, often affecting subsequent generations in ways that are not easily recognized until it is too late.


Donna (Danuta) Solecka Urbikas was born in Coventry, England, and immigrated with her parents and sister to Chicago in 1952. After careers as a high school science teacher and environmental engineer, she is now a writer, realtor, and community volunteer. She lives in Chicago with her husband. You can visit her website at http://danutaurbikas.com/

 

New Books in March 2016

We are excited to announce six books forthcoming this month!Whitaker-The-Blue-Hour-c

THE BLUE HOUR
Jennifer Whitaker

Winner of the Brittingham Prize in Poetry
Selected by Denise Duhamel

Fairy tales both familiar and obscure create a threshold, and the The Blue Hour pulls us over it. With precise language and rich detail, these poems unflinchingly create an eerie world marked by abuse, asking readers not just to bear witness but to try to understand how we make meaning in the face of the meaningless violence.

 

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THE BOOK OF HULGA
Rita Mae Reese

Winner of the Felix Pollak Prize in Poetry
Selected by Denise Duhamel

The Book of Hulga speculates—with humor, tenderness, and a brutal precision—on a character that Flannery O’Connor envisioned but did not live long enough to write: “the angular intellectual proud woman approaching God inch by inch with ground teeth.” These striking poems look to the same sources that O’Connor sought out, from Gerard Manley Hopkins to Edgar Allan Poe to Simone Weil. Original illustrations by Julie Franki further illuminate Reese’s imaginative verse biography of a modern-day hillbilly saint.

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REASON AFTER ITS ECLIPSE
On Late Critical Theory
Martin Jay

Martin Jay tackles a question as old as Plato and still pressing today: what is reason, and what roles does and should it have in human endeavor? Applying the tools of intellectual history, Reason after Its Eclipse examines the overlapping, but not fully compatible, meanings that have accrued to the term “reason” over two millennia, homing in on moments of crisis, critique, and defense of reason.

 

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FEEDING MANILA IN PEACE AND WAR, 1850–1945
Daniel F. Doeppers

Policymakers and scholars have come to realize that getting food, water, and services to the millions who live in the world’s few dozen megacities is one of the twenty-first century’s most formidable challenges. As these populations continue to grow, apocalyptic scenarios—sprawling slums plagued by hunger, disease, and social disarray—become increasingly plausible. In Feeding Manila in Peace and War, 1850–1945, Daniel F. Doeppers traces nearly a century in the life of Manila, one of the world’s largest cities, to show how it grew and what sustained it.

 

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SEVEN YEARS OF GRACE
The Inspired Mission of Achsa W. Sprague
Sara Rath

Distributed for the Vermont Historical Society

Seven Years of Grace is a dramatized account of the life of Achsa Sprague (1827–1862), who in the decade preceding the American Civil War lectured to audiences of thousands on Spiritualism, the abolition of slavery, women’s rights, and prison reform. She presented herself as a medium, lecturing and singing hymns in a state of trance. Alone on stage, she drew acclaim and admiration but also jeers, ridicule, and condemnation. A skeptic in Oswego, New York, asked, “Why is it that all the world should run nightly mad to hear her in a pretended trance?” A Milwaukee newspaper proclaimed her words “profound twaddle from beginning to end.” Yet Achsa’s crowds continued to grow in size and enthusiasm. Grounded in the extensive collection of Achsa Sprague’s papers at the Vermont Historical Society, Seven Years of Grace is both a fascinating tale and a revealing window into the past.

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DEATH STALKS DOOR COUNTY
Patricia Skalka

The first book in the Dave Cubiak Door County Mystery Series, now in paperback

Six deaths. A grief-stricken investigator. Betrayal. Why?

“Can a big-city cop solve a series of murders whose only witnesses may be the hemlocks? An atmospheric debut.”—Kirkus Reviews

“Murder seems unseemly in Door County, a peninsula covered in forests, lined by beaches, and filled with summer cabins and tourist resorts. That’s the hook for murder-thriller Death Stalks Door County, the first in a series involving ranger Dave Cubiak, a former Chicago homicide detective.”—Milwaukee Shepherd Express

Read more here.

RIPPED FROM THE HEADLINES: Timely books bring depth to public debates and issues

At the University of Wisconsin Press, we’ve published many books on topics that seem ripped from current news headlines. Whether fiction or nonfiction, they offer broader or deeper perspectives on current events.

Deadly LieThis August, as the country was shocked by photos of heavily armed Ferguson, Missouri, police wearing camo and patrolling in a massively armored truck, former soldiers commented, “We rolled lighter than that in an actual warzone.” We had just published Lev Raphael’s Assault with a Deadly Lie, a novel of suspense touching on many hot-button issues—plagiarism, bullying, suicide, academic freedom, stalking—but most of all on the militarization of police in American towns and cities. Raphael wrote op-eds in the Huffington Post: Why Are We Arming Our Police Departments for War? and Do College Towns Really Need Tanks to Keep Them Safe?

The death of several unarmed black men this summer at the hands of police also underscoredSister the continuing importance of the story of Daniel Bell, murdered by two Milwaukee policemen in 1958. His sister, Sylvia Bell White, tells the story of her whole life, including Daniel’s murder and her quest for the truth to come out, in the book Sister: An African American Life in Search of Justice. Sylvia Bell White is a powerful witness to systemic racial injustice and public indifference to the wrongful deaths of African Americans.

This fall, we’ve published The Great Sand Fracas of Ames County, a novel by Jerry Apps. When Apps started plotting the novel several years ago, he was thinking about historic trees and various threats to them. A frac sand mine seemed like a good plot element; there were Apps-Great-Sand-Fracas-cabout ten mines being developed in western Wisconsin. By the end of 2013, sand mining had boomed. There were already more than 120 mines active or in development. Frac sand mining became the center of Apps’s story, as he portrayed the battles over land use in a fictional Wisconsin town. “Through fiction I’ve tried to illustrate, in an entertaining way, how complicated local development issues can be,” Apps wrote in a blog.

As Barack Obama was running for president, historian Bruce Mouser was finishing a book for us on George Edwin Taylor, an African American who ran for president in 1904 as the nominee of the National Liberty Party. In the fall of 2013, as President Obama made a case for airstrikesTorture against Syrian chemical weapons, we were preparing to publish Chris Edelson’s legal history of Emergency Presidential Power. Alfred McCoy’s Torture and Impunity, published shortly after revelations of torture and humiliation of prisoners at Abu Ghraib in Iraq, probes the political and cultural dynamics that have made impunity for torture a bipartisan policy of the U.S. government from the 1950s to the present.

Our list in Russian and Eastern European Studies has frequently intersected with world events, as well. War in the Balkans in the 1990s resulted in Yugoslavia dividing into seven countries by 2008, creating avid interest among diplomats, armies, and aid organizations in the language textbooks books we’d been publishing for Macedonian, Bosnian-Croatian-Serbian, and Albanian. In 2012, as the Russian feminist punk band Pussy Riot was arrested for the vaguely defined crime of Microsoft Word - LaPierreCoverDesign.docx“hooliganism,” we were publishing Hooligans in Khrushchev’s Russia: Defining, Policing, and Producing Deviance during the Thaw by Brian LaPierre.  As Russian troops recently invaded Ukraine to reclaim the Crimean peninsula, we were publishing Russian–Ottoman Borderlands, edited by Lucien J. Frary and Mara Kozelsky, a historical overview of the frequent territorial disputes in the Balkans, Black Sea region, and Caucasus.

With a strong list of gay- and lesbian-interest books, we’ve published several that presaged or contributed to social conversations around gay family rights: Just Married: Gay Marriage and the Expansion of Human Rights by Canadians Kevin Bourassa and Joe Varnell;  Lawfully Wedded Husband: How My Gay Marriage Will Save the American Family by American Joel Derfner; and The Paternity Test, Michael Lowenthal’s novel about gay parenthood.Lawfully

The Last Deployment: How a Gay, Hammer-Swinging Twentysomething Survived a Year in Iraq by Bronson Lemer was published in the midst of the final “Don’t Ask, Don’t Tell” policy debate. Joy Ladin’s moving memoir Through the Door of Life: A Jewish Journey between Genders prompted one reviewer to comment, “It is a fierce story of regular old human life: hideous choices, endless repercussions, occasional glory, frequent humiliation, abiding difficulty. It could have happened to us.” Her story continues to make news.

Remaking RwandaAnd when we published Remaking Rwanda: State Building and Human Rights after Mass Violence, edited by Scott Straus and Lars Waldorf, the book achieved a level of sales unexpected for an edited volume of scholarly essays. The cause of its success? A public denunciation of the book by the Rwandan government.

UNIVERSITY PRESS WEEK BLOG TOUR: Take a fascinating tour of other blogs from university presses.

Stefanie Zweig, Author Who Fled Nazis to Kenya, Dies at 81

Stefanie Zweig

From the NYT obituary: http://www.nytimes.com/2014/05/01/books/stefanie-zweig-author-who-fled-nazis-to-kenya-dies-at-81.html?_r=0
 

Stefanie Zweig, the author of Nowhere in Africa, a best-selling autobiographical novel about the life of a Jewish family in Kenya after their escape from Nazi Germany and the inspiration for an Oscar-winning film, died on Friday in Frankfurt. She was 81.

Her publisher in the United States, the University of Wisconsin Press, confirmed her death.

Nowhere in Africa, published in 1995, hewed closely to the story of her parents’ escape from Frankfurt with their 6-year-old daughter in 1938, and the family’s adjustment to life as farmers in British colonial Africa. The parents endured grinding work and bouts of depression. Stefanie, who had been withdrawn, blossomed into a venturesome, Swahili-speaking teenager.

The novel, the first of a dozen by Ms. Zweig, sold about 5 million copies. A German film adaptation with the same title, directed by Caroline Link, won the Academy Award for best foreign language film in 2003. Ms. Zweig and Ms. Link wrote the screenplay.

In a sequel novel, Somewhere in Germany, published in 1996, Ms. Zweig described the reverse adjustment the family had to make when, in 1947, her father, a lawyer, was appointed a judge in Frankfurt. As her father explained it to her at the time, she wrote, his credentials as a German lawyer with no Nazi affiliations made him one of the few people qualified for such a position after World War II.

In fact, she wrote, he missed “the sounds and memories of home,” which everyone except her oddly naïve father seemed to know were beyond recovery.

Returning to bombed-out Frankfurt in 1947, the family joined a hungry, traumatized population in rebuilding the country. Scores of their German relatives were missing. None had been heard from since the start of the war in 1939, except a grandmother, who got a letter out in 1941 with the help of the Red Cross.

“They were only allowed to write 20 words,” Ms. Zweig told an interviewer in 2003. “My grandmother wrote — ‘We are very excited. We are going to Poland tomorrow.’ ” Reading that, she continued, “my father said Poland meant Auschwitz.”

But her father cautioned her against indiscriminate hatred, she wrote in an essay in The Guardian in 2003. As a child she was not allowed to hate all Germans, she said, “only the Nazis.”

For a year after returning to Frankfurt, the family lived in one room at the city’s former Jewish hospital. She wrote, “We spent our days hunting for food and our evenings wondering why nearly every German we talked to told us that they had always hated Hitler and had felt pity for the persecuted Jews.”

Stefanie Zweig was born on Sept. 19, 1932, in Leobschütz, a German-speaking town in disputed territory belonging to Germany at the time and to Poland since the end of the war. Her family moved to Frankfurt when she was a toddler. After a decade of speaking English (and some Swahili) in Kenya, she had to relearn German on returning to Frankfurt at 15, she wrote.

Ms. Zweig was for many years the arts editor and film reviewer for a Frankfurt newspaper, Abendpost Nachtausgabe. She wrote children’s books in her spare time and began writing novels only after the newspaper closed in 1988. She lived for many years with a companion, Wolfgang Hafele, who died in 2013. She had no known survivors.

Ms. Zweig wrote Nowhere in Africa in German, as she did all her books, but admitted to remaining unsure throughout her life whether English or German was her true native language.

“I count in English, adore Alice in Wonderland, am best friends with Winnie-the-Pooh,” she wrote in her Guardian essay, “and I am still hunting for the humor in German jokes.”

A version of this article appears in print on May 1, 2014, on page A23 of the New York edition with the headline: “Stefanie Zweig, 81, Author Who Fled Nazis to Kenya.”

 

Landscape Journal’s editorial office moves to University of GA

Check it out! Landscape Journal has a new editorial team and got a nice write-up in the University of Georgia’s The Red and Black:

… Landscape Journal, has chosen a new location to house its editorial offices the University of Georgia’s College of Environment and Design.

See the full article here.

UP Week Blog Tour: The Importance of Regional Publishing

University Press Week 2013

We’re excited to be participating in the UP Week Blog Tour, where presses will be blogging each day about a different theme that relates to scholarly publishing. For today’s theme of The Importance of Regional Publishing, visit the following University Presses:

Syracuse University Press features regional author, Chuck D’Imperio who will discuss the roots of regional writing in many of the “classics.” From oral testimonies to local guidebooks, these stories contribute to the culture and history of the region.

Fordham University Press Press Director Fredric Nachbaur, writes about establishing the Empires State Editions imprint to better brand and market the regional books, reflect the mission of the university, and co-publish books with local institutions.

UNC Press Editorial Director Mark Simpson-Vos highlights the special value of regional university press publishing at a time when the scale for much of what university presses do emphasizes the global.

University Press of Mississippi Marketing Manager and author of two books, Steve Yates, gives his thoughts on the scale of regional publishing and shares the sage advice of businessmen.

University of Nebraska Press’s Editor-in-Chief Derek Krissoff defines the meaning of place in University Press publishing.

University of Alabama Press will have a post for us, and University Press of Kentucky Regional editor, Ashley Runyon, writes on her unique editorial perspective as a born-and-bred Kentuckian as well as on preserving Kentucky’s cultural heritage. She’ll also talk about some of the fun things that make KY (and KY books) unique.

Louisiana State University Press will discuss the challenge of capturing an authentic representation of Louisiana’s culture, especially when it is an outsider looking in, as many authors (scholars or not) are. They’ll discuss how it takes more than just a well-written, thoroughly researched book to succeed in depicting the nuances of Louisiana’s food, music, and art.

Rounding out the day, Oregon State University Press will give an overview of regional publishing with specifics from the Oregon State University Press list.

Enjoy the rest of University Press Week! And be sure to keep a lookout for #UPWeek on Twitter.

UP Week Blog Tour: Wednesday

University Press Week 2013

We’re excited to be participating in the UP Week Blog Tour, where presses will be blogging each day about a different theme that relates to scholarly publishing. For today’s theme of Spotlight on Subject Area(s) Your Press is Known For, visit the following University Presses:

Wilfrid Laurier University Press starts things off with a post by Cheryl Lousley, editor of the Environmental Humanities series, about the engagement of environmental issues through the humanities disciplines, such as literature, film, and media studies.

University of Georgia Press series co-editor Nik Heynen will discuss the Geographies of Justice and Social Transformation series and how it relates to UGA Press.

Texas A&M University Press will have a post, and MIT Press has a post from Gita Manaktala, Editorial Director, who writes about the possibilities of the web MIT Press authors are using for scholarship, finding newly mediated ways to teach, conduct research, present data, and engage with various publics.

University of Pennsylvania Press acquisitions editors discuss the foundations and future of some of their press’s key subject areas.

And at University of Toronto Press they discuss the Medieval and Renaissance Studies lists at University of Toronto Press.

Enjoy the rest of University Press Week! And be sure to keep a lookout for #UPWeek on Twitter.

UP Week Blog Tour: The Future of Scholarly Communication

University Press Week 2013

We’re excited to be participating in the UP Week Blog Tour, where presses will be blogging each day about a different theme that relates to scholarly publishing. For the full Blog Tour schedule, click here.

For Tuesday’s theme of Future of Scholarly Communication, please visit the following University Presses:

Harvard University Press talks with Jeffrey Schnapp, faculty director of metaLAB (at) Harvard and editor of the new metaLABprojects book series, on the emerging currents of experimental scholarship for which the series provides a platform.

Stanford University Press’s Director Alan Harvey discusses the challenges presented by new technologies in publishing, and how the industry model is adapting to new reading-consumption habits.

University of Virginia Press interviews historian Holly Shulman, editor of The Dolley Madison Digital Edition and the forthcoming People of the Founding Era, looks at the need for university presses to adapt to new technologies, while acknowledging the difficulties of doing so.

University of Texas Press’s post is from Robert Devens, Assistant Editor-in-Chief for the University of Texas Press, on the future of scholarly communication.

Duke University Press has a post from Priscilla Wald, Professor of English and Women’s Studies at Duke University, on the slow future of scholarly communication.

University of Minnesota Press Editor Dani Kasprzak discusses a new UMP initiative.

And finally, Alex Holzman of Temple University Press explores the partnerships university presses and libraries can forge as the means of communicating scholarship evolves.

Enjoy the rest of University Press Week! And be sure to keep a lookout for #UPWeek on Twitter.

It’s University Press Week!

University Press Week 2013

We’re excited to be participating in the UP Week Blog Tour, where presses will be blogging each day about a different theme that relates to scholarly publishing. For the full Blog Tour schedule, click here.

We’re a bit late, but for Monday’s theme of Meet the Press, visit the following University Presses:

University Press of Colorado starts the tour off with a post featuring Laura Furney, managing editor, who has been at the press for 20 years, and is playing an integral role in two recent developments at UPC.

University of Missouri Press profiles David Rosenbaum, their new director who began Nov. 1, talking about his plans for the UM Press’s future and David’s transition back to a university press.

The University of Hawai‘i Press features the peripatetic academic publishing career of UHP’s soon-to-retire journals manager Joel Bradshaw. 

McGill-Queen’s University Press’s Jonathan Crago and Kyla Madden, key members of the Editorial Department, discuss their experiences in scholarly publishing and their vision for MQUP.

Penn State Press speaks with their “Invisible” manuscript editor, John Morris.

University Press of Florida features acquisitions editor, Sian Hunter, who is working to develop and grow innovative new subject areas.

Enjoy the rest of University Press Week! And be sure to keep a lookout for #UPWeek on Twitter.