UW Press: Cinema and Media Studies

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ISBN 978-0-299-20434-1

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Giant
George Stevens, a Life on Film
Marilyn Ann Moss

“Moss’s Giant represents the kind of scholarship that is enriched by access to special collections and the kind of criticism that no mere poring over memos, letters, and balance sheets can achieve.”
—Film Quarterly

Paper $34.95 t
ISBN 978-0-299-30374-7

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The Many Lives of Cy Endfield
Film Noir, the Blacklist, and Zulu
Brian Neve

“One of the finest studies of an individual film director that I have had the pleasure of reading.”
—Paul Buhle, Brown University, coauthor of Radical Hollywood and A Very Dangerous Citizen

John Williams’s Film Music
Jaws, Star Wars, Raiders of the Lost Ark, and the Return of the Classical Hollywood Music Style
Emilio Audissino
Spring 2014

Theo
An Autobiography
Theodore Bikel
Spring 2014

Masked
The Life of Anna Leonowens, Schoolmistress at the Court of Siam
Alfred Habegger
Spring 2014

The Last Laugh
Folk Humor, Celebrity Culture, and Mass-Mediated Disasters in the Digital Age
Trevor J. Blank
Spring 2013

Channeling the Past
Politicizing History in Postwar America
Erik Christiansen
Fall 2012

Liberals under Autocracy
Modernization and Civil Society in Russia, 1866–1904
Anton A. Fedyashin
Spring 2012

Screen Nazis
Cinema, History, and Democracy
Sabine Hake
Spring 2012

Luis Buñuel
The Red Years, 1929–1939
Román Gubern and Paul Hammond
Fall 2011

Film and Genocide
Edited by Kristi M. Wilson and Tomás F. Crowder-Taraborrelli
Fall 2011

Tough as Nails
The Life and Films of Richard Brooks
Douglass K. Daniel
Spring 2011

Glenn Ford
A Life
Peter Ford
Spring 2011

Celluloid Activist
The Life and Times of Vito Russo
Michael Schiavi
Spring 2011

Creating the College Man
American Mass Magazines and Middle-Class Manhood, 1890–1915
Daniel A. Clark
Spring 2010

Responses to Oliver Stone’s Alexander
Film, History, and Cultural Studies
Edited by Paul Cartledge and Fiona Rose Greenland
Fall 2009

Fast Forward
The Aesthetics and Ideology of Speed in Russian Avant-Garde Culture, 1910–1930
Tim Harte
Fall 2009

United Artists, Volume 1, 1919–1950
The Company Built by the Stars
Tino Balio
Spring 2009

United Artists, Volume 2, 1951–1978
The Company That Changed the Film Industry
Tino Balio
Spring 2009

Democracy in Print
The Best of The Progressive Magazine, 1909–2009
Edited by Matthew Rothschild
Spring 2009

The Presidents We Imagine
Two Centuries of White House Fictions on the Page, on the Stage, Onscreen, and Online
Jeff Smith
Spring 2009

Escape Artist
The Life and Films of John Sturges
Glenn Lovell
Fall 2008

I Thought We Were Making Movies, Not History
Walter Mirisch, Forewords by Sidney Poitier and Elmore Leonard
Spring 2008

Before, Between, and Beyond
Three Decades of Dance Writing
Sally Banes, Edited and with an introduction by Andrea Harris
Spring 2007

Cannibal Fictions
American Explorations of Colonialism, Race, Gender, and Sexuality
Jeff Berglund
Spring 2006

Depth of Field
Stanley Kubrick, Film, and the Uses of History
Edited by Geoffrey Cocks, James Diedrick, and Glenn Perusek
Spring 2006

King of the Cowboys, Queen of the West
Roy Rogers and Dale Evans
Raymond E. White
Spring 2006

Marked Women
Prostitutes and Prostitution in the Cinema
Russell Campbell
Fall 2005

Profiles of Popular Culture
A Reader
Edited by Ray B. Browne
Spring 2005

Giant
George Stevens, a Life on Film
Marilyn Ann Moss
Fall 2004

Murder in Hollywood
Solving a Silent Screen Mystery
Charles Higham
Fall 2004

Walking Shadows
Orson Welles, William Randolph Hearst, and Citizen Kane
John Evangelist Walsh
Fall 2004

Goddesses and Monsters
Women, Myth, Power, and Popular Culture
Jane Caputi
Spring 2004

Images of the Corpse
From the Renaissance to Cyberspace
Edited by Elizabeth Klaver
Spring 2004

Salome
A Filipino Filmscript by Ricardo Lee
Ricardo Lee, Translated by Rofel Brion
Spring 2004

Nowhere in Africa
An Autobiographical Novel
Stefanie Zweig, Translated by Marlies Comjean
Spring 2004

Voices Made Flesh
Performing Women’s Autobiography
Edited by Lynn C. Miller, Jacqueline Taylor, and M. Heather Carver
Fall 2003

Voices from the Federal Theatre
Bonnie Nelson Schwartz and the Educational Film Center, Foreword by Robert Brustein
Fall 2003

Remote
Reflections on Life in the Shadow of Celebrity
David Shields, New foreword by Phillip Lopate
Fall 2003

GenXegesis
Essays on Alternative Youth (Sub)Culture
Edited by John M. Ulrich and Andrea L. Harris
Fall 2003

The Imperial Screen
Japanese Film Culture in the Fifteen Years’ War, 1931–1945
Peter B. High
Spring 2003

A Fiddler’s Tale
How Hollywood and Vivaldi Discovered Me
Louis Kaufman with Annette Kaufman
Spring 2003

Early American Cinema in Transition
Story, Style, and Filmmaking, 1907–1913
Charlie Keil
Fall 2001

Memory and Representation
Constructed Truths and Competing Realities
Edited by Dena Elisabeth Eber and Arthur G. Neal
2001

Crime Fiction and Film in the Southwest
Bad Boys and Bad Girls in the Badlands
Edited by Steve Glassman and Maurice O’Sullivan
2001

I Was a Cold War Monster
Horror Films, Eroticism, and the Cold War Imagination
Cyndy Hendershot
2001

Beatrice of Bayou Têche
Alice Ilgenfritz Jones, Introduction by Thomas H. Fick and Eva Gold
2001

Stars in My Eyes
Don Bachardy
Fall 2000

Widescreen Dreams
Growing Up Gay at the Movies
Patrick E. Horrigan
Spring 1999

The Theatre of the Holocaust, Volume 2
Six Plays
Edited and with an Introduction by Robert Skloot
Spring 1999

The Magic Mirror
Moviemaking in Russia, 1908–1918
Denise J. Youngblood
Spring 1999

Reel Rituals
Ritual Occasions from Baptisms to Funerals in Hollywood Films, 1945–1995
Parley Ann Boswell, Paul Loukides
1998

Of Men and Monsters
Jeffrey Dahmer and the Construction of the Serial Killer
Richard Tithecott , With a Foreword by James R. Kincaid
Fall 1997

Film Essays and Criticism
Rudolf Arnheim, Translated by Brenda Benthien
Spring 1997

Reel Patriotism
The Movies and World War I
Leslie Midkiff DeBauche
Spring 1997

Retrofitting Blade Runner
Issues in Ridley Scott’s Blade Runner and Phillip K. Dick’s Do Androids Dream of Electric Sheep?
Edited by Judith B. Kerman
1997

Dramatizing Dementia
Madness in the Plays of Tennessee Williams
Jacqueline O’Connor
1997

In the Zone
The Twilight World of Rod Serling
Peter Wolfe
1997

The Great American Blow-Up
Puffery in Advertising and Selling
Ivan L. Preston
Fall 1996

Post-Theory
Reconstructing Film Studies
Edited by David Bordwell and Noël Carroll
Spring 1996

Vision/Re-Vision
Adapting Contemporary American Fiction by Women to Film
Edited by Barbara Tepa Lupack
1996

Lovers of Cinema
The First American Film Avant-Garde, 1919–1945
Edited by Jan-Christopher Horak
Fall 1995

Outsiders in 19th-Century Press History
Multicultural Perspectives
Edited by Frankie Hutton and Barbara Straus Reed
1995

Beyond the Stars 5
Themes and Ideologies in American Popular Film
Edited by Paul Loukides and Linda K. Fuller
1995

The Tangled Web They Weave
Truth, Falsity, & Advertisers
Ivan L. Preston
Fall 1994

No One Knows Their Names
Screenwriters in Hollywood
Jorja Prover
1994

Picking Up the Tab
The Life and Movies of Martin Ritt
Carlton Jackson
1993

Take Two
Adapting the Contemporary American Novel to Film
Edited by Barbara Tepa Lupack
1993

Dionysus in Literature
Essays on Literary Madness
Edited by Branimir M. Rieger
1993

Settling the Score
Music and the Classical Hollywood Film
Kathryn Kalinak
Fall 1992

The Terrible Fitzball
The Melodramatist of the Macabre
Larry Stephen Clifton
1992

Advertising and Popular Culture
Studies in Variety and Versatility
Sammy R. Danna
1992

Beyond the Stars 3
The Material World in American Popular Film
Edited by Paul Loukides and Linda K. Fuller
1992

Beyond the Stars 4
Locales in American Popular Film
Edited by Paul Loukides and Linda K. Fuller
1992

Popular Arthurian Traditions
Edited by Sally K. Slocum
1991

Beyond the Stars 2
Plot Conventions in American Popular Film
Edited by Paul Loukides and Linda K. Fuller
1990

Hardboiled in Hollywood
Five Black Mask Writers and the Movies
David Wilt
1990

Beyond the Stars 1
Stock Characters in American Popular Film
Edited by Paul Loukides and Linda K. Fuller
1989

The Politics of Glamour
Ideology and Democracy in the Screen Actors Guild
David F. Prindle
Fall 1988

Now, Voyager
Edited by Jeanne Allen
Fall 1984

White Heat
Edited, with an Introduction by Patrick McGilligan
Spring 1984

The American Theatrical Film
Stages in Development
John C. Tibbetts
1984

Air Force
Edited with an Introduction by Lawrence Suid
Fall 1983

Juárez
Edited, with an Introduction by Paul J. Vanderwood
Spring 1983

Henry L. Brunk and Brunk’s Comedians
Tent Repertoire Empire of the Southwest
Jerry L. Martin
1983

The Theatre of the Holocaust, Volume 1
Four Plays
Edited and with an Introduction by Robert Skloot
Fall 1982

The Sea Hawk
Edited by Rudy Behlmer
Spring 1982

Dark Victory
Edited, with an Introduction by Bernard F. Dick
Fall 1981

I Am a Fugitive From a Chain Gang
Edited, with an Introduction by John E. O'Connor
Fall 1981

The Public Enemy
Edited by Henry Cohen
Spring 1981

Yankee Doodle Dandy
Edited by Patrick McGilligan
Spring 1981

Little Caesar
Edited by Gerald Peary
Spring 1981

Mission to Moscow
Edited by David Culbert
Fall 1980

42nd Street
Edited by Rocco Fumento
Fall 1980

Mildred Pierce
Edited by Albert J. La Valley
Fall 1980

Gold Diggers of 1933
Edited, with an Introduction by Arthur Hove
Spring 1980

To Have and Have Not
Edited by Bruce F. Kawin
Spring 1980

The Adventures of Robin Hood
Edited, with an Introduction by Rudy Behlmer
Fall 1979

The Green Pastures
Edited, with an Introduction by Thomas Cripps
Fall 1979

High Sierra
Edited, with an Introduction by Douglas Gomery
Fall 1979

The Jazz Singer
Edited, with an Introduction by Robert L. Carringer
Spring 1979

Mystery of the Wax Museum
Edited, with an Introduction by Richard Koszarski
Spring 1979

The Treasure of the Sierra Madre
Edited with an Introduction by James Naremore, Foreword by Tino Balio
Spring 1979

The American Film Industry
Edited by Tino Balio
Spring 1976