Picturing Indians
Photographic Encounters and Tourist Fantasies in H. H. Bennett's Wisconsin Dells
Steven D. Hoelscher
Foreword by Paul S. Boyer
Studies in American Thought and Culture
Paul S. Boyer, Series Editor
"Picturing Indians triangulates in brilliant fashion the cultural politics of Ho-Chunk life and labor, the imaginative and material shaping of the Wisconsin landscape, and the changing tourist landscape of photographs and curios at the turn of the twentieth century. . . . A fascinating and compelling book."
—Philip Deloria, University of Michigan, author of Indians in Unexpected Places
Winner of the 2009 Book Award of Merit of the Wisconsin Historical Society.
Best Books for General Audiences, selected by the American Association of School Librarians, and Best Books for Regional Interests, selected by the Public Library Association
Today a tourist mecca, the area now known as the Wisconsin Dells was once wilderness—and a gathering place for the region's Native peoples, the Ho-Chunk, who for centuries migrated to this part of the Wisconsin River for both sustenance and spiritual renewal. By the late 1800s their numbers had dwindled through displacement or forcible removal, and it was this smaller band that caught the attention of photographer Henry Hamilton Bennett. Having built his reputation on his photographs of the Dells: steep gorges and fantastic rock formations, H. H. Bennett now turned his camera upon the Ho-Chunk themselves, and thus began the many-layered relationship unfolded by Steven D. Hoelscher in Picturing Indians: Photographic Encounters and Tourist Fantasies in H. H. Bennett's Wisconsin Dells.
The interactions between Indian and white man, photographer and photographed, suggested a relationship in which commercial motives and friendly feelings mixed, though not necessarily in equal measure. The Ho-Chunk resourcefully sought new ways to survive in the increasingly tourist-driven economy of the Dells. Bennett, struggling to keep his photography business alive, capitalized on America's comfortably nostalgic image of Native peoples as a vanishing race, no longer threatening and now safe for white consumption.
Hoelscher traces these developments through letters, diaries, financial records, guidebooks, and periodicals of the day. He places Bennett within the context of contemporary artists and photographers of American Indians and examines the receptions of this legacy by the Ho-Chunk today. In the final chapter, he juxtaposes Bennett's depictions of Native Americans with the work of present-day Ho-Chunk photographer Tom Jones, who documents the lives of his own people with a subtlety and depth foreshadowed, a century ago, in the flickers of irony, injury, humor, and pride conveyed by his Ho-Chunk ancestors as they posed before the lens of a white photographer.
 Steven D. Hoelscher is associate professor of American studies and geography at the University of Texas at Austin. He is the author of Heritage on Stage: The Invention of Ethnic Place in America's Little Switzerland, also published by the University of Wisconsin Press.
Media & bookseller inquiries regarding review copies, events, and interviews can be directed to the publicity department at publicity@wwwtest.uwpress.wisc.edu or (608) 263-0734. (If you want to examine a book for possible course use, please see our Course Books page. If you want to examine a book for possible rights licensing, please see Rights & Permissions.)
|
|
September 2008
LC: 2008010919 TR
212 pp. 8 x 10
86 b/w photos, 3 maps, 1 chart
“A brilliant analysis of the cultural interplay between Native and American communities.”
—Biography
“This book is accessible to audiences far beyond this journal’s readership. Those with a little understanding of cultural and social geography or without much knowledge of the Ho-Chunk, Wisconsin Dells or indigenous resistance may also find this an attractive and enlightening read. The writing and organization is wonderfully accessible and while a few academic terms are deployed, such as survivance, polished explanations are provided. Concepts are built in without being pedantic. The photographs—there are eighty-five in this book, not all of which are H.H. Bennett’s—effectively underscore the text and draw the reader further into the material.”
—Kate A. Barry, Social and Cultural Geography
"A model for photographic research."
—Martha A. Sandweiss, Amherst College, author of Print the Legend: Photography and the American West
|
